Editing Process: Step Two

(A continuation of my “editing process” series for TNWSY.)

“Dee, turn it up!”

That was the first line I ever wrote in my very first variation of TNWSY. I won’t even say draft because it was merely a scene, not even a chapter. In the end, I didn’t use much from that first bit of writing, mostly just the setting (a bedroom) and the two girls talking, but even their names changed. (There is no “Dee” anymore.)

But, somehow, in all of the drafts and revisions and edits and craziness, that line remained. It’s not the first line, but it’s still in the book. Which is kind of cool, at least to me.

Because currently I’m going through my book another time. There are line edits now, corrections and suggestions in track changes for me to go through and revise. I like these kinds of edits because I know exactly what my editor is looking for. It’s not “elaborate on this theme,” It’s “elaborate on this scene.” It assures me that the rest of the book is succeeding, and that there’s still a chance to make small moments bigger, better. And after going through all of the edits and thoughts, I’m super happy to be with the editor I have because she gets it. And that’s really awesome.

In theory, this might be my last revision before copyedits, so I’m a bit nervous about making everything as perfect as possible. I suppose we’ll see.

But as I go through it and see how things have changed and evolved from that first draft, I smile whenever I find an original piece. Because it all started from a thought, a line, and now here it is. It was a simple note played once, and now it’s a full song getting ready to be heard. It’s bigger, better, louder.

Turn it up, indeed.

Writing Endings

When I have an idea for a manuscript, I usually have a general idea of how the story will begin and end. The middle is muddled, of course – some scenes here or there – but I generally know how I want to end it.

But here’s the thing – most of the time that ending is altered. Maybe not the full concept, maybe not completely, but for the most part, what I originally planned will grow change, just as the story itself grew and changed. Characters evolve. Stories evolve.

This is, primarily, why I never stick to an outline. (Bravo to those who do!)

I mention this in light of last night’s How I Met Your Mother finale. A lot has been said about it already, so I’m not going to review or critique it. I didn’t enjoy the ending for a number of reasons, but that’s not important. I will say that i’ve always liked the show, and will remember it as that of a great premise with really fun, relatable (at times) characters. (In other words, I’m going to watch the reruns when they’re on, and I’ll still enjoy them.) These characters started one way, and grew and evolved as the show went on. They aged, and they felt real because of that. And though at times it felt forced (Barney, specifically), we believed in their growth because we wanted it. And I loved that about the show.

(Another show that, in my opinion, showed fantastic subtle growth for characters was Sex and the City. Charlotte and Miranda had great subtle turnarounds as the seasons progressed. I loved seeing them in the end, how far they came. Even Samantha had her moments. Unfortunately, the movies kind of killed some of that for me, but that’s neither here nor there.)

When they started filming HIMYM, the creators knew how they wanted it to end, so much to the point that they filmed the final moment (the children’s reactions to the general story of how their father met their mother). (To be fair, they had to film it early, because, hey, children age.) And therein, at least in my opinion, was the problem with the show’s finale. Their ending was set in stone, no matter how much the story grew over time. No matter how much they progressed these characters, they had to have this ending.

Now, i’m sure the creators love what they did, and fully stand behind their ending. That’s awesome, and I applaud them for that (and for NINE seasons of a really popular show). But, to me, it feels so controlled. If the show ended this way after a handful of seasons, okay, maybe I could have bought it (though, I will forever say that the closing of the first episode, when it’s revealed that Robin is NOT the mother, is such a great moment, that I hate that it goes back on itself a bit), but after so long, and so much pull and take, it just feels…sad.

Because the creators did a great job of creating these characters and making us believe in both their growth apart and together. We saw them change and turn into their last season selves. So, for instance, when it was revealed that Barney and Robin divorced in, like, a second, it felt cheap. You made us believe, and then you took it away. I wanted to continue believing in them.

I’m not saying my method of changing an ending as you go is better than anything else, (hey, I don’t have a hit TV show) but I can’t help but wonder if the creators would have gone a different way if they could have. As their characters, and they, progressed, I can’t help but wonder if they even considered it.

I Wanna See You Be Strong

Me, circa 2004.

By my senior year of college, I was able to do 13 consecutive pull-ups. I realize this is a weird thing to brag about, but for someone who could barely do one three years prior, I was really proud of myself. That was the thing about being in a circus – we had to train to be strong. And there was no guy training and girl training. Sure there were act-specific trainings (I had to do more ab work for my aerial act than, say, the jugglers), but overall we were all treated the same. We had to do pull ups. We had to carry the giant aluminum poles around the tent. I mean, even some girls did guy acts (and vice versa). It was hard, yes, but also nice being treated similarly.

I was used to this, though, because my parents – specifically my dad – never treated me inherently “girly.” Yes, I had dolls and Barbies and an awesome Easy Bake Oven (all of which I LOVED), but my dad also taught me to use tools and throw overhand and block my brother’s snapshot into our hockey net.

But being strong isn’t just doing a crazy amount of pull ups, and I learned that as I grew up. It was making decisions, and sticking to them. It was sticking up to others, something I wasn’t very good at for a  long time. (In elementary school I was convinced to trade one of my favorite stickers to another person in order to be friends. We didn’t become friends, and I never saw my sticker again. Sigh.) I was (and still am, to a degree) a people pleaser. It was how I made friends. I went along with things I wasn’t always pleased about, because I didn’t want to let anyone down. And whenever my parents noticed it, they would interfere and try to get me to stand up for myself. But I wasn’t that kind of strong. Not yet.

But after losing and gaining friends, I realized which ones were right, which ones i’d risk my life for, and which ones I knew wouldn’t last. And I realized these tried and true friends would never like me less if I said no. So I learned the word. I learned to embrace what I believed. And I never lost someone I cared about in the process. I didn’t go to parties I felt uncomfortable at. To this day, I’ve never smoked (nor done any illegal substance), even though I could have multiple times. I just didn’t believe in doing it, and found ways to say no. This was my new way of being strong.

In the books I write, you won’t find a girl saving the world. She’s never wielding an ax or the hammer of Thor; she’s never bringing down the government. But you will see her struggle. You will see her question what she believes. But, ultimately, you’ll see her be strong in tough situations, especially when with friends. You’ll see her make hard decisions. You’ll see her be scared and brave and do what she feels is right, even when it might not ultimately be.

Because, to me, that’s the ultimate definition of strength.

(Okay, that at 13 consecutive pull-ups.)

Writing: 2013 in Review

In regards to writing, 2013 has been exciting, to say the least – most notably because TNWSY was sold, and I have an editor, and, YAY! But writing didn’t stop there. Oh no.

Actually, writing-wise, my year started out rather slow.

Project 1: I started work on a new concept early in the year, a topic very close to my heart. I learned quickly that it’s not always the easiest – or best idea – to write what you know. Every word felt forced. Writing wasn’t fun. I only accomplished about 9,000 very poorly written, really despised, words. (For comparison, TNWSY is a bit over 60,000 words.) So I put that project to sleep and immediately felt better. Will I ever go back to it? I’m not sure. I hope to one day, with a new perspective, but for now I’m happy letting go.

Project 2: I had a new, very fun idea that I was keen to work on…and work on it I did. Writing was fun again, but only for so long. At about 30,000 words I realized the story didn’t stand out at all, and it wasn’t something I wanted to tell. It wasn’t unique. It wasn’t going anywhere. I had an ending in sight, but no middle ground. I knew it wasn’t something I was proud of, and I had no ideas of ways to make it better. So, again, I gave up on it and felt better. I didn’t hate it, but I knew it wasn’t the right story for me. It just felt blah – I didn’t need to write it. Will I ever go back to it? Probably not. But it’s still saved, just in case.

Project 3: At this time, Burrow Press, a local Orlando publisher, came into the picture, Each year they put out a 15 Views of Orlando book (among other great books) where local writers contribute a different chapter. The entire book is one story, but each chapter is written by a different author, and they’re allowed to take the story in any way they want. Also, each chapter must take place at a different Orlando location. It’s really unique. Anyway, I was asked to write the final chapter, the epilogue, and jumped at the opportunity, The story was so far from anything I’d ever personally write, that the experience was wonderful. I wrote fast, and was happy with what I created. (I was also able to be in a book with my friend Jenny, which is just awesome) I loved contributing to the book, and cannot wait to see it in print. (Out in April 2014! The book is called FORGET YOU FOUND US; 15 Views of Orlando Vol. III. You can read the first chapter here.)

Project 4: Newly restored, I decided to dabble with a short story idea I had a while back, which never amounted to anything but one page. I started fresh and wrote it…in one day. Seriously. I was obsessed. It was a crazy experience; I only broke to Skype chat with a friend in the UK. So, I sent the 8,000 words to my agent, after editing it, and she liked it too (!!!), with the only suggestion to make it longer. So I did. Again, quickly, easily. Now at about 20,000 words, it’s my little novella that I love dearly. Where it goes next, we shall see…

Project 5: After that, I figured it was time to attempt another full-length manuscript. Again, I jumped on an idea that was floating around in my mind and wrote. And wrote. And wrote. I never outlined it, I just kind of decided what happened as I went. And in a weird, way, it worked. I finished it! It was not very good at first – names were all mixed up, characters weren’t fully developed, the plot wasn’t fully developed, but it was finished and I was so relieved that I could do that again. So I spent a while fixing it up and making it shiny before sending it on. To my delight, agent liked it, too, so we’re editing it now and improving it in ways I never would have thought of without her. Yay!

Project 6: While waiting for agent’s reaction on Project 5, I had a dream that inspired an idea. It was small at first, a tiny flicker, but I started daydreaming about it, and started letting my fingers tap along. I wasn’t planning on writing anything, but it just happened. I’m about 20,000 words in now and still obsessed with it. It’s the first manuscript I’ve written that i’ve needed to do a bit of research for, which I am, and it’s fun. It’s very different than my other stories, but I like that about it. I don’t want to say much now, but I can feel it turning into something, and I’m so excited to see where it takes me.

Project 7: TNWSY, of course! In the midst of all of this, I’ve been editing my book (BOOK!) with my editor (EDITOR!). It’s such an exhilarating process, and I’m thrilled to continue it through the new year.

So where does that leave me now? Continuing my edits for TNWSY, figuring out Project 4, editing Project 5, writing Project 7, and perhaps starting a Project 8 after all of that is said and done. There’s an idea there…there’s always an idea. And though I’m realistic enough to know that some projects will decline and fail as they have for me in the past, I’m still thrilled to see what grows and flourishes in 2014. So, to another year of writing and inspiration and wonder.