Gators

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There be gators in them waters

A benefit to living in Florida is that you get used to really weird things. Like gators, for instance. Around the corner from my parent’s house is a state park that’s home to canoeing, a really great swimming hole, and, yeah, a ton of gators. You just canoe around them. Behind my grandparent’s house is a lake that oftentimes has gators swimming in it. When they’re out, you just don’t let kids play by the water – simple as that. And then, overnight it seems, these gators disappear.

Florida wildlife is weird. And also very cool.

A month or so ago, my supervisor urged me to enter this Florida 250-word micro-fiction contest, wherein the prompt was simply “They named the gator…”. I didn’t win, but I still have my entry and thought i’d post it here. Though to me seeing a gator in your backyard is completely normal – apparently it isn’t for everyone.

(If interested, I’ve posted previously about weird Florida wildlife interactions, only that time about black bears!)

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They named the gator Green, because that was its color. It showed up in their backyard one night, slithering out of the pond that gently shivered with the wind. How it got into the pond was never asked. They wanted to play with it, teach it tricks like they did their dog Chip (named after his color, too, that of a chocolate chip). Their mom said no and kept them inside, fearing what a gator would do with two inquisitive five-year-olds who yearned for another pet.

At night they snuck out anyway, creaking open the back door they’d seen their parents lock and unlock hundreds of times. With G.I. Joe flashlights in tiny hands, they crept down the yard until they sat beside the black pond. There was no air that night, no wind creating waves, but still there was movement. The water lapped against their naked toes as two yellow eyes watched on. “There,” one whispered, pointing a shaking finger. Green moved its head, blinked twice, then opened its mouth to expose rows upon rows of sharp teeth. Daggers glistening in the night. The boys screamed and darted back into the house, flashlights forgotten in the hustle. Woken up, their mom scooped them up nervously, reprimanding them for their disobedience.

After calming quivering fears and tucking them back into bed, she looked outside. The gator was still there, still staring at their house, waiting, contemplating. As if to say, come back. As if to say, goodnight.

Editing Process: Step Two

(A continuation of my “editing process” series for TNWSY.)

“Dee, turn it up!”

That was the first line I ever wrote in my very first variation of TNWSY. I won’t even say draft because it was merely a scene, not even a chapter. In the end, I didn’t use much from that first bit of writing, mostly just the setting (a bedroom) and the two girls talking, but even their names changed. (There is no “Dee” anymore.)

But, somehow, in all of the drafts and revisions and edits and craziness, that line remained. It’s not the first line, but it’s still in the book. Which is kind of cool, at least to me.

Because currently I’m going through my book another time. There are line edits now, corrections and suggestions in track changes for me to go through and revise. I like these kinds of edits because I know exactly what my editor is looking for. It’s not “elaborate on this theme,” It’s “elaborate on this scene.” It assures me that the rest of the book is succeeding, and that there’s still a chance to make small moments bigger, better. And after going through all of the edits and thoughts, I’m super happy to be with the editor I have because she gets it. And that’s really awesome.

In theory, this might be my last revision before copyedits, so I’m a bit nervous about making everything as perfect as possible. I suppose we’ll see.

But as I go through it and see how things have changed and evolved from that first draft, I smile whenever I find an original piece. Because it all started from a thought, a line, and now here it is. It was a simple note played once, and now it’s a full song getting ready to be heard. It’s bigger, better, louder.

Turn it up, indeed.

Writing Endings

When I have an idea for a manuscript, I usually have a general idea of how the story will begin and end. The middle is muddled, of course – some scenes here or there – but I generally know how I want to end it.

But here’s the thing – most of the time that ending is altered. Maybe not the full concept, maybe not completely, but for the most part, what I originally planned will grow change, just as the story itself grew and changed. Characters evolve. Stories evolve.

This is, primarily, why I never stick to an outline. (Bravo to those who do!)

I mention this in light of last night’s How I Met Your Mother finale. A lot has been said about it already, so I’m not going to review or critique it. I didn’t enjoy the ending for a number of reasons, but that’s not important. I will say that i’ve always liked the show, and will remember it as that of a great premise with really fun, relatable (at times) characters. (In other words, I’m going to watch the reruns when they’re on, and I’ll still enjoy them.) These characters started one way, and grew and evolved as the show went on. They aged, and they felt real because of that. And though at times it felt forced (Barney, specifically), we believed in their growth because we wanted it. And I loved that about the show.

(Another show that, in my opinion, showed fantastic subtle growth for characters was Sex and the City. Charlotte and Miranda had great subtle turnarounds as the seasons progressed. I loved seeing them in the end, how far they came. Even Samantha had her moments. Unfortunately, the movies kind of killed some of that for me, but that’s neither here nor there.)

When they started filming HIMYM, the creators knew how they wanted it to end, so much to the point that they filmed the final moment (the children’s reactions to the general story of how their father met their mother). (To be fair, they had to film it early, because, hey, children age.) And therein, at least in my opinion, was the problem with the show’s finale. Their ending was set in stone, no matter how much the story grew over time. No matter how much they progressed these characters, they had to have this ending.

Now, i’m sure the creators love what they did, and fully stand behind their ending. That’s awesome, and I applaud them for that (and for NINE seasons of a really popular show). But, to me, it feels so controlled. If the show ended this way after a handful of seasons, okay, maybe I could have bought it (though, I will forever say that the closing of the first episode, when it’s revealed that Robin is NOT the mother, is such a great moment, that I hate that it goes back on itself a bit), but after so long, and so much pull and take, it just feels…sad.

Because the creators did a great job of creating these characters and making us believe in both their growth apart and together. We saw them change and turn into their last season selves. So, for instance, when it was revealed that Barney and Robin divorced in, like, a second, it felt cheap. You made us believe, and then you took it away. I wanted to continue believing in them.

I’m not saying my method of changing an ending as you go is better than anything else, (hey, I don’t have a hit TV show) but I can’t help but wonder if the creators would have gone a different way if they could have. As their characters, and they, progressed, I can’t help but wonder if they even considered it.

I Wanna See You Be Strong

Me, circa 2004.

By my senior year of college, I was able to do 13 consecutive pull-ups. I realize this is a weird thing to brag about, but for someone who could barely do one three years prior, I was really proud of myself. That was the thing about being in a circus – we had to train to be strong. And there was no guy training and girl training. Sure there were act-specific trainings (I had to do more ab work for my aerial act than, say, the jugglers), but overall we were all treated the same. We had to do pull ups. We had to carry the giant aluminum poles around the tent. I mean, even some girls did guy acts (and vice versa). It was hard, yes, but also nice being treated similarly.

I was used to this, though, because my parents – specifically my dad – never treated me inherently “girly.” Yes, I had dolls and Barbies and an awesome Easy Bake Oven (all of which I LOVED), but my dad also taught me to use tools and throw overhand and block my brother’s snapshot into our hockey net.

But being strong isn’t just doing a crazy amount of pull ups, and I learned that as I grew up. It was making decisions, and sticking to them. It was sticking up to others, something I wasn’t very good at for a  long time. (In elementary school I was convinced to trade one of my favorite stickers to another person in order to be friends. We didn’t become friends, and I never saw my sticker again. Sigh.) I was (and still am, to a degree) a people pleaser. It was how I made friends. I went along with things I wasn’t always pleased about, because I didn’t want to let anyone down. And whenever my parents noticed it, they would interfere and try to get me to stand up for myself. But I wasn’t that kind of strong. Not yet.

But after losing and gaining friends, I realized which ones were right, which ones i’d risk my life for, and which ones I knew wouldn’t last. And I realized these tried and true friends would never like me less if I said no. So I learned the word. I learned to embrace what I believed. And I never lost someone I cared about in the process. I didn’t go to parties I felt uncomfortable at. To this day, I’ve never smoked (nor done any illegal substance), even though I could have multiple times. I just didn’t believe in doing it, and found ways to say no. This was my new way of being strong.

In the books I write, you won’t find a girl saving the world. She’s never wielding an ax or the hammer of Thor; she’s never bringing down the government. But you will see her struggle. You will see her question what she believes. But, ultimately, you’ll see her be strong in tough situations, especially when with friends. You’ll see her make hard decisions. You’ll see her be scared and brave and do what she feels is right, even when it might not ultimately be.

Because, to me, that’s the ultimate definition of strength.

(Okay, that at 13 consecutive pull-ups.)

Waiting Period

Hello!

As you might have noticed, I’ve been M.I.A. for a bit. It’s not because of some amazing news, or I’ve been hiding from the world or anything, I’ve just been…

  1. Experiencing pregnancy brain. I didn’t believe in this at first, figuring it was simply another pregnancy myth, but oh my. The other day, I literally said to a co-worker: “hey, can you get me…the…the um…the thing to put the books on so I can roll them around.” “A book cart?” “YES! THAT!” It was then that I became a believer.
  2. Preparing for said baby. I’ve been reading the books (they’re terrifying) and setting up the nursery with S (it’s adorable). You hear that babies need a lot of stuff, but it’s not until you see your house lined with Graco and Fisher Price boxes that you realize it’s all incredibly true. I also find myself using the word “snugapuppy” a lot. (It’s a baby swing. With a puppy on it. It’s adorable.) (Also, magically I can remember the non-word “snugapuppy” and not “book cart.”)
  3. Writing. Yes, despite the memory issues, I’m still trying to write. In fact, I want to get everything done prior to baby’s arrival. So right now a manuscript is with my beta readers (one my agent has already thankfully approved of, only now with many, many edits), and I’m writing away at another one. It’s weird and fun balancing three projects (TNWSY as well, of course), but they’re vastly different, so it’s easy separating them in my mind. And for the first time, I made a very detailed outline for a story so I can follow it when my mind does, eventually, go blank.
  4. Reading. Not just baby books! I’ve read 10 books so far this year. Some highlights… Drama High by Michael Sokolove was a fantastic non-fiction account of a high school drama department. Touching and lovely (and as someone who was part of a high school drama department, I was deeply invested). The Silver Linings Playbook by Matthew Quick was a fun, deep read that I checked out for my library’s book club. Admittedly, I saw the movie first (which I loved), but that didn’t spoil the book at all – they’re both different and lovely enough to stand on their own. September Girls by Bennett Madison. I’m usually not big on mermaid books, but this one blew me away. The writing was lyrical, the voice authentic and unforgiving. I was absorbed.
  5. Sleeping. Or attempting to sleep (it’s become quite hard). I plan my days around sleeping sometimes.

That is to say, not much is going on, but at the same time, so much is going on. My life is on the brink of changing in various ways, and I’m just about to take everything in. I’m just waiting…waiting excitedly. And, yet, also enjoying the wait.